I make art in order connect with the deeper currents of reality.
The human eye can perceive only 2% of the electromagnetic spectrum. The other 98% is invisible to us. This fact has, since I learned about it in 6th grade science class, had some large implications in my own understanding of reality. It makes me wonder: What else in our daily lives remains invisible to us?
This question acts as a kind of inner compass when I make art. It points me to moments that serve as the intersections between the ordinary and miraculous. The depiction of these intersections is the focus of my work.
I am primarily a self taught artist, who relies heavily on intuition, receptivity, focused observation, and the development of technical skill. When I begin a new piece, I rarely have an entire painting planned, instead, I usually start with an element or subject that strikes my imagination, sketch it out and then begin to learn, piece-by-piece about the larger narrative of the painting as I work. The process of making a painting often feels like I’m in a kind of call and response with the creative forces of the universe.
I look for clues about what messages or themes the painting is trying to convey. They can come from anywhere, in the words of my children, a passage in a book, a conversation with the checkout clerk at the grocery store, or in my dreams. At some point, a moment appears where the answers come. A story unfolds, and the painting reveals itself to me.
Poppies, 30x40 - mixed media
Magnolia, 24x24 - mixed media
Heaven is in the Arms That Hold Us, 30x40 - mixed media
The Language of Flowers, 24x20 - mixed media
Dreamer, 24x36 - acrylic, charcoal, and graphite on birch panel.
Three Wishes, 30 x 30 - Acrylic, graphite and charcoal on Birch panel